Berluti Spring Summer 2027 puts craft first. The French Maison reworks its signatures around a garden theme, with new shoes, patinated leather goods and floral tailoring carrying the season, all presented under the title Impressions et Sensations (impressions and sensations).
Which new Berluti pieces stand out?
Footwear leads the Berluti Spring Summer 2027 range through a new run of tightly curated capsules. The first, the Galet Bloom, draws on the organic curve of the arum lily and renders it in a sculptural shape finished with a new patina. The Lorenzo and Panache loafers continue the line of classic Berluti silhouettes, where construction and fine materials meet in elegant shoes.
Tailoring takes the garden literally. The Forestière carries a very natural-looking daffodil that seems to bloom from its pocket, while an embroidered flower appears to grow out of a jersey jacket. Floral motifs spread across pop-over shirts, regular shirts and even the Scritto, blending print, embroidery and optical effects. Floral embroidery and laser-cut detailing lift one striking jacket, and the entrelacs collar on the Un Jour blouson gathers several craft traditions in a single piece.
How does Berluti use the patina on its leather goods?
The patina does the heavy lifting on the leather side. Berluti’s artisans build the depth and colour of Venezia leather through layered shades, much as a painter layers short brushstrokes, an approach the Maison links to the Impressionists.
The design studio chose four paintings, then focused on fragments of each to develop new patinas for the Un Jour, Luti, Un Jour de Poche and Toujours. Each one evokes a garden at a different hour: a rose garden at daybreak, a rowing boat under the midday sun, a cluster of hydrangeas, and a garden at dusk. Two new accessories round out the line: the Un Jour-nal, supple as a rolled-up newspaper under the arm, and the Grand Jour, a reworked men’s tote.
How does The Little Prince shape the pieces?
A creative dialogue with Antoine de Saint-Exupéry’s story runs through the season, carried by sketches, tattooing and hand-painted detail. It shaped a limited edition due at the end of the year, nineteen pieces in all: four bags, three clutch bags, one shoe, three cardholders, four wallets and four scarves.
The bags carry the richest work. In the limited edition, the Un Jour pairs a Cacao Intenso patina with a hand-tattooed Scritto in white ink, the Deux Jours adds Arancio Sfumato stamping over an aquarelle patina, and the Trois Nuits takes a softer Gris Brume finish with tattooing. The iconic Alessandro lace-up joins them in a Jet Black and Grenat patina, while cardholders, wallets and Scritto jacquard scarves complete the line.
The thread extends into publishing as well, through a Bibliothèque de La Pléiade special edition devoted to Saint-Exupéry, for which Berluti crafted a presentation case and book covers in patinated Venezia leather.
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Where is Berluti Spring Summer 2027 presented?
For a third year, Berluti returns to the Simone and Cino Del Duca Foundation, a classical townhouse beside Parc Monceau that shares the Maison’s roots in Italy and France. The garden runs through the staging, split between the images that feed the work and the finished pieces in the Berluti Spring Summer 2027 range. The props carry the same idea, from a prelude of melted wax, footsteps and three heels to a desk inspired by the one Saint-Exupéry once wrote at.
Why does Berluti restore its products?
In the Cordoue salon, an artisan sits among restored pieces, each a marker of how closely owners hold these objects. Specialist artisans at the Aubervilliers repair atelier work to preserve them and bring back their beauty. The Maison reports that 97 per cent of its products can be repaired, a clear sign of its commitment to objects that last.
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